Majority of real estate properties give photographers different challenges when it comes to lighting. Some of them prefer natural lighting while there are those who like artificial ones. This poses as one of the biggest problems when it comes to real estate lighting. You have the option to make the space look warn. You can also make the lighting just the right combination.

Natural light always emanate from the windows. This is why natural light is also called window light. Using this kind of light usually give lots of issues, starting from shadows down to the sun’s position. On the other hand, using artificial lighting makes some of the areas look dark because of its placement inside the room. Both types have their own issues to solve but both of them are very important in the proper exposure of your shots.

Real estate photographers have this technique of playing with the existing light. Proper architecture sees to it that lighting fixtures of the property must be evenly placed in all the right places of the house. It is very important for every real estate photographer to do examination of the fixtures first by tuning all the lights in the room.

In many instances, it’s very usual to bounce a flash when shooting an interior. A single bounced flash will make fill in any shadow to focus on specific features of the room. In shooting exteriors, fill flash can also be valuable. You can easily direct the light fronting the property by using a hot shoe flash. This will highlight the structure instead of the landscape.

Professional real estate photographers make use of multiple wireless flashes as their preferred method. Though setting up requires more time and money, it is the only way to make large rooms very well-lit. The use of multiple wireless flashes will help expose the room and window light scattered consistently. This is one of the many ways in exposing the room’s best assets.

Lighting Guide for Real Estate Photography

This guide shows not only where to place the light but it will depict instructions in a very detailed way. It will also show a table which will instruct you what type of settings you want which depend on the light you are using. You might just be using a speed light or multiple speed lights, or their combination. This guide breaks down into its equivalence by showing you some results of light testing and how you can translate that into light tables so that you can understand where to place those lights into different real estate circumstances.

You will also be revealed of some of the principles of lighting: what does it mean when we talk about using fall of in diffusion to our advantage, its difference to real estate photography when you are shooting a large house, the effect of color temperature, white balance, what do we do about flash ambient blended to make sure that all the correct exposures are in the right place, and more.

Interior real estate photography is a very complicated thing when it comes to the very details of it. This is perhaps the reason why a lot of people will take the shortcut using HDR but in reality it is very difficult to understand the combination of correct colors to get an excellent outside view not to mention the use of flash photography for the interiors.

Some of the hardest part when it comes to interior lighting photography is measuring the light and exposing for it. This can initially be done by using the histogram on your camera or remote triggering device for exposures for ambient and flashed frames. The use of histograms does not apply to window pulls. Light measurements for both these frames are very crucial.

The ambient shot exposes the natural balance of light. Some areas may be bright because of the incorrectness of the variety of color temperatures. Flash framed shots eventually show correct color balance that are even to all the areas of concern. To solve ambient shot problems, adding luminance is always the key. This will make the flashed shot look more natural.

Camera exposure settings involved in interior photography need to be properly set. There is always a need to adjust it manually to assure you of the consistency for your frames. Exposure setting is needed for post processing jobs where manual settings are vital.